In the 1950’s, before electronic guitars really took off, children were encouraged by music teachers to take up the tortoise. It takes two people to play a tortoise, as demonstrated in the picture.One holds the body of the tortoise, the other manipulates the legs and taps the outer shell slightly and the fabulous effect is a deep sustained booming noise much like the bassoon. Tortoises in the orchestra have never really received the credit they deserve, and they are very small so you cannot see them being played from an auditorium. They also do not appear in many orchestral performances as their fees are bloody exorbitant. However, if you are at a Wagner performance, look the the bassoon player very carefully. There is very often a hidden tortoise in his lap.
Sir Simon Rattle has reportedly brought up to eleven tortoises to a symphony performance – one for each of the bassoonists and the rest are shared between people who play the triangle and write musical reviews. Let’s face it, they’re often as silly as one another.
2 thoughts on “Tortoises And Their Place In Woodwind Section”
Your posts are so educational. I had absolutely no idea of this amazing phenomenon and will appreciate my enjoyment of listening to orchestral music all the more from now on.
If you hear the bit that sounds like an oboe, it’s more than likely that it is a tortoise. Just please don’t say this in front of an oboist, they get rather fractious about it.